Oil Paintings
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Quentin Matsys Flemish Northern Renaissance Painter, ca.1465-1530,Flemish painter. After studying in Louvain, he moved to Antwerp by 1491, remaining in that city throughout his life. Influences of Italian art, especially of Leonardo da Vinci, may be seen in his work, particularly in the delicate modeling, the subtle nuances of tone, and in the adoption of Leonardo's grotesque head studies for such pictures as The Old Man (Jacquemart-Andre Mus., Paris) and Ugly Duchess (National Gall., London). Massys sought inspiration also in works of earlier Flemish artists, especially of Jan van Eyck. The combined Flemish and Italian influences aided Massys in evolving a calm and measured style, with solid figures and soft textures. He developed a type of portraiture in which the sitter was placed against an appropriate background, as in his painting of St. Erasmus surrounded by books and papers (National Gall., Rome). There are religious subjects and portraits by Massys in the museums of Munich, Brussels, Antwerp, Chicago, and Philadelphia. Quentin's son, Jan Massys, c.1509?C1575, painted satirical and later more elegant works under French influence. Judith (Mus. of Fine Arts, Boston) is characteristic. Another son, Cornelis Massys, d. after 1560, was a landscape painter and engraver.
Quentin Matsys The sad Virgin mk166
Rainaldo gives Costro, Coimbra, Portugal
Painting ID:: 59864
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Quentin Matsys The Moneylender and his Wife The Moneylender and his Wife (1514)
Oil on panel, 71 x 68 cm
Mus??e du Louvre, Paris
Painting ID:: 59866
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Quentin Matsys A Grotesque Old Woman A Grotesque Old Woman
Oil on wood, 64 x 45,5 cm
National Gallery, London.
Painting ID:: 80150
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Quentin Matsys Madonna and Child with the Lamb. ca. 1513(1513)
Oil on wood
110 x 87 cm (43.3 x 34.3 in)
cjr
Painting ID:: 83564
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Quentin Matsys Virgin and Child Date 1529(1529)
Medium Oil on wood
Dimensions Height: 68 cm (26.8 in). Width: 51 cm (20.1 in).
cjr
Painting ID:: 83771
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Quentin Matsys The Lamentation Date first half of 16th century
Medium Oil on panel
Dimensions 96 x 126.5 cm (37.8 x 49.8 in)
cjr
Painting ID:: 84058
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Quentin Matsys Madonna and Child with the Lamb 1513(1513)
Medium Oil on wood
Dimensions 110 x 87 cm (43.3 x 34.3 in)
cyf
Painting ID:: 86191
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Quentin Matsys St Christopher Date second half of 15th century
Medium Oil on wood
cjr
Painting ID:: 86398
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Quentin Matsys St Anne Altarpiece Date between 1507(1507) and 1508(1508)
Medium Oil on wood
Dimensions Height: 224.5 cm (88.4 in). Width: 219 cm (86.2 in). (centre)
cjr
Painting ID:: 86516
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Quentin Matsys St John Altarpiece Date between 1507(1507) and 1508(1508)
Medium Oil on wood
cjr
Painting ID:: 86524
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Quentin Matsys St John Altarpiece Date between 1507(1507) and 1508(1508)
Medium Oil on wood
cjr
Painting ID:: 86529
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Quentin Matsys Christ on the Cross with Donors Date c. 1520(1520)
Medium Oil on wood
cjr
Painting ID:: 86642
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Quentin Matsys St Anne Altarpiece Date between 1507(1507) and 1508(1508)
Medium Oil on wood
Dimensions Height: 220 cm (86.6 in). Width: 92 cm (36.2 in). (each wing)
cjr
Painting ID:: 87405
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Quentin Matsys Virgin and Child 1529(1529)
Medium Oil on wood
cyf
Painting ID:: 87684
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Quentin Matsys The Lamentation first half of 16th century
Medium Oil on panel
cyf
Painting ID:: 89145
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Quentin Matsys St Anne Altarpiece between 1507(1507) and 1508(1508)
Medium oil on wood
cyf
Painting ID:: 89146
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Quentin Matsys St Anne Altarpiece between 1507(1507) and 1508(1508)
Medium oil on wood
cyf
Painting ID:: 89293
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Quentin Matsys Ecce Homo 1526(1526)
Medium oil on wood
cyf
Painting ID:: 89294
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Quentin Matsys Ecce Homo 1526(1526)
Medium oil on wood
cyf
Painting ID:: 89330
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Quentin Matsys St John Altarpiece between 1507(1507) and 1508(1508)
Medium oil on wood
cyf
Flemish Northern Renaissance Painter, ca.1465-1530,Flemish painter. After studying in Louvain, he moved to Antwerp by 1491, remaining in that city throughout his life. Influences of Italian art, especially of Leonardo da Vinci, may be seen in his work, particularly in the delicate modeling, the subtle nuances of tone, and in the adoption of Leonardo's grotesque head studies for such pictures as The Old Man (Jacquemart-Andre Mus., Paris) and Ugly Duchess (National Gall., London). Massys sought inspiration also in works of earlier Flemish artists, especially of Jan van Eyck. The combined Flemish and Italian influences aided Massys in evolving a calm and measured style, with solid figures and soft textures. He developed a type of portraiture in which the sitter was placed against an appropriate background, as in his painting of St. Erasmus surrounded by books and papers (National Gall., Rome). There are religious subjects and portraits by Massys in the museums of Munich, Brussels, Antwerp, Chicago, and Philadelphia. Quentin's son, Jan Massys, c.1509?C1575, painted satirical and later more elegant works under French influence. Judith (Mus. of Fine Arts, Boston) is characteristic. Another son, Cornelis Massys, d. after 1560, was a landscape painter and engraver.
